Romare Bearden Fundation

special program

BEARDEN IN HIS OWN WORDS: Writings & Interviews (Arranged by Year)
1930s | 1940s | 1950s | 1960s | 1970s | 1980s | 1990s

ABOUT BEARDEN: Articles, Books & Exhibition Catalogues (Arranged by Author)
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Waldman, Diane. Collage, Assemblage, and the Found Object. New York:
Harry N. Abrams, Inc., 1992.

Wallach, Amei. “Catching Daily Life in Visual Jazz.” New York Newsday,
October 4, 1981, pt. 2: 17-18.

Wallach, Amei. “He Captures the Universal Experience.” New York
Newsday
, January 17, 1988, 11.

Washington, M. Bunch. The Art of Romare Bearden: The Prevalence of
Ritual.
New York: Harry N. Abrams, Inc., 1973.

Whiting, Cecile. "Romare Bearden and African-American Art." [Lecture]
UCLA Art Council, Los Angeles, January 1992.

Wilson, William. “Art Review: Romare Bearden: Sharing the Senses of
Life.” Los Angeles Times, December 10, 1991, F1, F4-5.

Wingate, Jennifer. “Romare Bearden.” Art Criticism 14 (1999): 7-10.

Witkovsky, Matthew S. "Experience vs. Theory: Romare Bearden and
Abstract Expressionism." Black American Literature Forum 23 (Summer
1989): 257-82.

Wolf, Ben. "Abstract Artists Pay Homage to Jazz." Art Digest 20 (December
1, 1946): 15.

Wolf, Ben. "Bearden Abstracts Drama of the Bull-Ring." Art Digest 20 (April
1, 1946): 13.

Wolf, Ben. "Bearden--He Wrestles With Angels." Art Digest 19 (October 1,
1945): 16.

Wolf, Ben. "Bearden Sings of the Cup that Cheers." Art Digest 21 (March 1,
1947): 19.

Wolf, Ben. "With Modern Accent." Art Digest 20 (May 15, 1946):  17.